Wafia – Let Me Love You

Wafia (Promo)Brisbane’s Wafia has just released a more than entertaining cover of Mario’s 2004 hit ‘Let Me Love You’ ahead of her EP release later this year.

Although perhaps best known as the voice from the ethereal top line on Triple J Unearthed High Winner Japanese Wallpaper‘s 2013 single ‘Breathe In‘, Wafia is well on the way to making her own stamp on the scene. Having received a touch up from Thrupence and mastering by Andrei Eremin (Chet Faker, Oscar Key Sung), the results speak for themselves with a super suave rendition of ‘Let Me Love You’. Keep an eye and ear out for Wafia before the year is out, this is one you don’t want to miss.


Interview with Andy Bull

Andy Bull

Indie sweet hear Andy Bull kept us waiting a very long four years before releasing his much anticipated second LP Sea Of Approval. Hit tracks Keep On Running and Baby I Am Nobody Now did the rounds late last year and built a lot of hype around the record, earning him the title of ‘most blogged about musician in the world.’

Now the falsetto voiced synth wizard has proudly released Sea Of Approval, which has been met with world wide acclaim, and he’s sporting a national tour in celebration. We caught up with Andy ahead of the tour that kicks off in September at the Brisbane Festival.

 You kicked off the Baby I am nobody now tour in October last year and played a few tracks off Sea Of Approval then, although the official album tour starts in September do you feel like unofficially you’ve been touring this album for a while?

Some of the songs we tried out last year, at one stage there were maybe four songs that we played live so that’s almost half the record I guess. But it feels like a new tour, I just feel like we’ll be comfortable playing these songs live. It definitely feels like an album tour, the venues are bigger which is kind of novel. I didn’t expect last year to be playing the Metro last year, so that kind of stuff makes it feel way more like an album tour.

The album has been very well received, do you feel like you are in fact swimming in a sea of approval?

It’s funny, you never ever do. It’s kind of what I was predicting when I called the record that because you never feel that way. It’s kind of complex, when you finish a project you automatically start thinking about how you’re going to do the next project so I don’t feel as if you reach a point where the work is done and you can just tick the box. And in terms of getting audience support, some people like what you do, some people don’t like what you do, some people hate what you do. Some people like what you do then they don’t, some people don’t like it then they come around, it’s not a very solid thing to pin yourself to. So it’s really nice when you get some praise, but there’s definitely an anxiety that comes if you start paying too much attention to what people think. So the sea of approval is something you should never really pursue. But first and foremost it’s nice to have a record finished. I did the best I could, there are elements of it that I’m really proud of, it’s not perfect but nothing ever will be, and the process of making it wasn’t perfect but I’m on the right path and I’m doing what I’m meant to be doing.

Speaking of the process of making the album, is there a lot of trial and error creating an album that’s so densely layered?

Yeah for me there was a lot of trial and error, some of the songs I did many versions of. There were some other songs that I also trialed and trialed and trialed that didn’t make the record. That’s one way of making a record, there are instances where you work really quickly, some parts of songs and some key ideas arrive really quickly. But being on your own means that you have to do everything layer by layer, so you don’t always have the context of other players knowing if something works. In a band you can feel when something clicks because everybody is doing something and it just works. On your own the pace of that first discovery is different, because you’re doing it piece by piece. So for about 80% of this record there was a lot of trial and error, there were many versions.

So why did you keep us waiting so long (almost five years) for another full length release?

Over the course of the four five years I was really busy, I toured a lot. I actually recorded heaps of music in those four years, trying different things. I recorded a few EP’s but decided not to release them too.

Why not?

I just didn’t feel like it was right, it wasn’t the right time, the ideas and songs didn’t work for me. I’m not sure I just didn’t feel right about it so I didn’t do it. But this record only took a year to work on, I sat down and said I’m actually going to start working, see if I can do a record for public consumption and once I decided to do that it took about twelve months from start to finish. So it’s not like I spent four or five years trying to come up with these ten songs, but over the twelve months I recorded maybe thirty or fourty songs and these were the ten I liked best.

So I guess you’ve got a lot of songs in the song book for release down the track then?

Yeah because a lot of ideas in songs are good, the ideas are good but the song itself doesn’t work for some reason. But a good idea can last I think, if you try to put an idea into a song and it doesn’t work it might find a home next year.

Obviously the biggest news of the past few weeks was the passing of Robin Williams which is raising a lot of awareness of depression and anxiety, your lyrics suggest you may have had similar issues, do you think there’s enough support for artists and performers battling these issues?

There’s an understanding of what it is on a general level because a lot of artists and performers have a kind of vulnerability to them, so a lot of artists without stereotyping them can be a little bit up and down. So in the arts it’s not such a foreign concept that someone is anxious or depressed. But on a person by person level there’s not always a great deal of knowledge as to how to manage those aspects of a persons life, that’s a cultural thing I’d say rather than an industry thing, but I feel like it’s changing, it’s becoming more legitimate to speak openly about emotional states however there’s obviously a long long way to go.

This may be controversial but I would suspect that more people suffer from depression than statistics suggest, I don’t know the numbers but I’d say it would be closer to 1 in 4 men suffering from anxiety. I think in our society people aren’t very good at dealing with those aspects of their personality and it can come out in the form of anti social behaviour. In that regard there’s a lot of space for cultural understanding in our society, not just for anxiety and depression but just people’s emotional states in general. Everyone’s born with a mind that goes in every direction, and everyone has to learn to live with that mind.

I know you’ve played on a few tracks with Bluejuice, were you sad to hear about them calling it quits?

Well Jake and Stav are close friends of mine I met them through music but they became close friends of mine outside of music. I met them when Bluejuice first started, it’s sad to see that party end but I have been watching them for ten years and people have to move on as well. I totally understand if they want to move on to the next chapter in their lives. They love the music, they’ve always loved the music and you can tell because there’s so much energy in their records and live shows, they give absolutely everything they have to it. I really admire them for that. But I suspect they just wanted to move on to the next chapter of their life and I totally understand.

Catch Andy at any of these gigs nationwide











Sally Anne, David Slater liked this post

Falls Festival Announce Line-Up

Get Excited for New Years 2014!!!


Interview with Jonathon Boulet

JbouletAfter extensive tours of the UK and US that saw him play SXSW, and spending a year in Germany, critic darling Jonathan Boulet is back down under with a brand new album exploring new territory for the Sydney singer/songwriter.

Gubba is noticeably darker and heavier than it’s predecessors, with a fuzzy garage rock sound which compliments the film clip to the first single off the track Hold It Down, which sees a group of would be bikes trying their hardest to look cool.
Being the genuine top bloke that he is Jonathan was happy to answer a few of our questions about the album and his time overseas.

What did your year living in Germany consist of? Besides of course writing and producing Gubba.

Caught up on some much needed globe trotting. Saw some wonderful places and met some colourful people. Otherwise, we kicked back and cruised along in Berlin.

Speaking of Gubba it seems to be a lot faster and fuzzier than its predecessors, did you make a conscious decision to sound a little heavier in this record or did it just kind of happen?

It was conscious. I didn’t turn the guitar amp on one day to find it had been magically knocked up to 11. As the record leading up to this one was also a fair bit heavier than the last, this one was to take it up 1 more notch. Where to from here though? Another notch? But John, that surely is far too many notches! Yes sir, probably.

After spending a few years touring and writing overseas is it exciting or nerve wracking to be heading out again in Australia?

Not at all nerve racking. It’s heart warming. It’s soul quenching. It’s canned love, straight off the shelf. Very excited to catch up with friends and throw shrimps on the barbie.

What did you miss most about Australia?

The Mad Mex franchise. The dangerous UV levels. And the loveable Politicians.

What did you miss the least about Australia?

It’s proximity to Europe and the United Kingdom.

The guys in the Hold It Down film clips are sort of bikie versions of the guy in The Offspring’s Pretty Fly For A White Guy film clip, I heard the ring leader of that gang is related to you? Was it a fun shoot?

Yeah that’s my Dad. Me Pa. He used to ride. And he still does apparently.

I wasn’t there for the shoot as I was and still am overseas but apparently it was not fun to shoot. I think it may have started fun but there were storm clouds rolling in and started pissing down on everyone. Then there was the constant engine troubles. People kept breaking down and having to fix their bikes roadside so as to continue with the shoot. I’m very pleased that they didn’t give up though, I love that clip!

On your website you list a few things you’ve been called in the past, like a dick waving in the wind and a sexy motherfucker, did someone really call you a beluga whale because of your ‘roman’ nose? Who would say a thing like that?

Yes that one did actually happen. Scott from the John Steel Singers can vouch for that one. He was there, and the catch phrase of the night ended up being “do the beluga”. And I believe it was a drunk girl. Thats who.

Are you going to continue to produce your own records or do you think you’ll enlist some help somewhere down the track?

For my solo stuff, I will continue to DIY. It’s just too much fun. You can actually do whatever the fuck you want and no one can tell you it’s a bad idea or that it’s shit. At least until after you put it out, haha. But by that point exterior opinion might as well be a foreign language.

Your side project Parades called it a day a few years ago, will you be working on anything else on the side in the near future or just sticking to the solo stuff?

Yeah I got a couple things I’m working on at the moment. But you won’t know till their ready!!!!!

Thanks for taking the time to answer our questions Jonathan, we’re big fans of the album!

No worries thanks mates. And don’t forget to do the Beluga.

Catch Jonathan at one of these shows:
Friday, 15th August 2014
Northcote Social Club, Melbourne
Saturday, 16th August 2014
Pirie & Co Social Club, Adelaide
Thursday, 21st August 2014
Goodgod, Sydney
Thursday, 28th August 2014
Black Bear Lodge, Brisbane

I, A Man – Minivan


‘Minivan’ is the third single of their debut album ‘Gravity Wins Again’, and cements I, A Man’s credibility as a band on the rise in Australia.

These guys are really nailing dreamy melodic pop, with ‘Minivan’ releasing a cascade of rolling guitars that caress your ears in all the right places. The smoothness and crispness of those vocals only add to the mystical vibes this track gives off. It is just polite and breezy pop that suits all situations. I can’t stress how underated I, A Man are, and if you haven’t checked out their album, its really worth the time.

Thrupence – Don’t You Mind

Taken from his forthcoming originals mixtape ‘Lessons’ due out in the end of September is Thrupence’s mind boggling tune ‘Don’t You Mind’.

Thrupence has been a secret fetish of mine since his tunes started going up on Unearthed back in early 2011 (before this blog was started), and having not heard from him in a while, its great to have the ears reunited. Opening up with a jiving high pitched beat that had me channeling ‘Singing in the Rain’, the track morphs into a smooth soulful track with enough kick to really make an impact on your ears. There is something about the vocal sample that is truly mesmerizing, and with a foot in both the chilled and edgy section of disco, ‘Don’t You Mind’ is a tune I can’t get enough of.

1 2 3 115